With krystyna janda jerzy radziwilowicz tadeusz lomnicki jacek lomnicki.
Man of marble wajda.
Andrzej wajda was once a documentary filmmaker in post war poland who at 1st made films of stalinist propaganda indeed man of marble uses some of these earlier films of socialist realism in the earlier style man of marble shows the creativity that flourished once orthodoxy collapsed during de stalinisation there is an unexpected bloom from the.
Man of marble polish.
Polski film z 1976 roku w reżyserii andrzeja wajdy.
Człowiek z marmuru is a 1977 polish film directed by andrzej wajda it chronicles the fall from grace of a fictional heroic polish bricklayer mateusz birkut played by jerzy radziwiłowicz who became the stakhanovite symbol of an over achieving worker in nowa huta a new real life socialist city near kraków agnieszka played by krystyna janda in her first role.
Man of marble revived wajda s reputation and gave him new purpose and it inspired the careers of krzysztof zanussi agnieszka holland krzysztof kieślowski and ryszard bugajski as film makers.
The originality of andrzej wajda s film man of marble lies in the fact that it is not original what can be less original than the fate of a labour leader from the stalinist era.
Wajda s film is a meta fiction in that it s structure of three interwoven realities form.
Andrzej wajda was once a documentary filmmaker in post war poland who at 1st made films of stalinist propaganda indeed man of marble uses some of these earlier films of socialist realism in the earlier style man of marble shows the creativity that flourished once orthodoxy collapsed during de stalinisation there is an unexpected bloom from the.
Directed by andrzej wajda.
Andrzej wajda was once a documentary filmmaker in post war poland who at 1st made films of stalinist propaganda indeed man of marble uses some of these earlier films of socialist realism in the earlier style man of marble shows the creativity that flourished once orthodoxy collapsed during de stalinisation there is an unexpected bloom from the.